Back in May, Toby, Mark and myself went down to the Resonance FM studios to play some music and have a chat on Joe Kassman-Tod's 'Disorder At The Border' show.
Both tracks we played on the session are now available here for download:
Track 1
Track 2
Colin Webster - Tenor Sax, Toby McLaren - Fender Rhodes, Mark Holub - Drums.
Special thanks to Resonance FM - www.resonancefm.com
Tuesday, 19 July 2011
Thursday, 2 June 2011
Webster/Holub/McLaren Live Recording
This track is taken from the set we played at Flim Flam @ Ryan's Bar, Stoke Newington in March this year.
Colin Webster - Tenor Sax, Mark Holub - Drums, Toby McLaren - Fender Rhodes.
Download it here
Colin Webster - Tenor Sax, Mark Holub - Drums, Toby McLaren - Fender Rhodes.
Download it here
Sunday, 1 May 2011
Webster / Holub duo recording
Back in March I did a sax n' drums duo recording session with Mark Holub. We did a one-day session at Shiftworks in North London - the same studio that I recorded Koi Bombs, and with the same engineer, Alex Bonney.
Mark was one of the first people I played improvised music with, and we played duo sets back in 2005 in places like the Red Rose Club, and the Bonnington Centre (both gone now sadly). Since then our playing together has mainly been in larger groups, but I always wanted to record as a duo. When we did the Koi Bombs session we recorded a few duos, which were great, but didn't fit with the rest of the stuff. This gave me the excuse I needed to finally book in a duo session to record some more.
We went into the studio with no pre-concieved ideas, and came out with about 15 short improvisations. For this session I took all my horns with me, alto, tenor, and bari. The bari is quite new, and the alto doesn't get played out very often, so it was exciting for me to experiment with these horns and see what I could get out of them.
We've justed finished mixing the tracks, and I've been listening hard and enjoying them. There's a real range of stuff - some very percussive, some melodic, some noise. It's going to be hard to decide what makes the final cut.
Mark was one of the first people I played improvised music with, and we played duo sets back in 2005 in places like the Red Rose Club, and the Bonnington Centre (both gone now sadly). Since then our playing together has mainly been in larger groups, but I always wanted to record as a duo. When we did the Koi Bombs session we recorded a few duos, which were great, but didn't fit with the rest of the stuff. This gave me the excuse I needed to finally book in a duo session to record some more.
We went into the studio with no pre-concieved ideas, and came out with about 15 short improvisations. For this session I took all my horns with me, alto, tenor, and bari. The bari is quite new, and the alto doesn't get played out very often, so it was exciting for me to experiment with these horns and see what I could get out of them.
We've justed finished mixing the tracks, and I've been listening hard and enjoying them. There's a real range of stuff - some very percussive, some melodic, some noise. It's going to be hard to decide what makes the final cut.
Thursday, 7 April 2011
New Spasm Band Album
The new Spasm Band album is finally finished. I got a copy of the final master from Anthony a few days ago, and I'm really pleased with how it's turned out. We had spent almost the whole of last year jamming together and writing the new tunes, and this February we entered the studio.
We recorded the album in Dalston, East London at the studio of our producer Malcolm Catto. This was the first time that we had worked with a producer in this way, having creative input into the overall sound of the record. It was also the first time we had multi-tracked ourselves. The previous two albums were done live, largely improvised, and all done in a matter of days. This time we spent a week on the rhythm section, jamming things and making adjustments to the compositions, and then about another three weeks on overdubs. The character of the new music is much less improvised than before, with an emphasis on composition, structure, and arrangement. Whereas before the saxophone lines would interweave freely through the track, this time it held down sections. And the brass sections were fat! I wrote and arranged brass section parts for most of the tunes, and was gifted a dream brass section to work with. Robin Hopcraft played trumpet. Robin is an amazing afrobeat trumpeter, and plays with his band Soothsayers, and also worked on the recent Fela musical. On bari sax and bass clarinet I had my good friend Shabaka Hutchings, who has guested and depped with The Spasm Band before, and was on ferocious form for this session. Somehow we got all the sections recorded in one day, and they sound amazing, I'm so pleased with them. I also multi-tracked myself on a few sections playing tenor and bari.
The new record should be out in June sometime, with a possible single release beforehand. Can't wait until it's out!
We've got a live show coming up soon as well on good friday at Passing Clouds in Dalston, where I expect we'll be showcasing a lot of this new album live:
We recorded the album in Dalston, East London at the studio of our producer Malcolm Catto. This was the first time that we had worked with a producer in this way, having creative input into the overall sound of the record. It was also the first time we had multi-tracked ourselves. The previous two albums were done live, largely improvised, and all done in a matter of days. This time we spent a week on the rhythm section, jamming things and making adjustments to the compositions, and then about another three weeks on overdubs. The character of the new music is much less improvised than before, with an emphasis on composition, structure, and arrangement. Whereas before the saxophone lines would interweave freely through the track, this time it held down sections. And the brass sections were fat! I wrote and arranged brass section parts for most of the tunes, and was gifted a dream brass section to work with. Robin Hopcraft played trumpet. Robin is an amazing afrobeat trumpeter, and plays with his band Soothsayers, and also worked on the recent Fela musical. On bari sax and bass clarinet I had my good friend Shabaka Hutchings, who has guested and depped with The Spasm Band before, and was on ferocious form for this session. Somehow we got all the sections recorded in one day, and they sound amazing, I'm so pleased with them. I also multi-tracked myself on a few sections playing tenor and bari.
The new record should be out in June sometime, with a possible single release beforehand. Can't wait until it's out!
We've got a live show coming up soon as well on good friday at Passing Clouds in Dalston, where I expect we'll be showcasing a lot of this new album live:
Sunday, 27 March 2011
OFF CUTS
Sheik Anorak is coming over from France this week for a special one-off gig at the Woodmill art space in Bermondsey, called OFF CUTS. He'll be joined for this show by Mark Holub on drums, and myself on saxophones. Also playing are some of the finest improv and noise musicians London has to offer. This is the second time I'll play with Sheik Anorak (who also goes by the name Frank Garcia - head of Gaffer Records). In January I guested with LOUP - the duo of Sheik Anorak and Clement Edouard - for an extra noisy blow-out at Indo in Whitechapel. I'm expecting an equally, if not more intense show this time around. This show is also going to be extra special as it's at The Woodmill - an excellent artist-run studio/gallery space in South London, which is due to close in a couple of months.
http://www.sheikanorak.com/
http://www.anorak-walter-rechtern.com/
http://www.woodmill.org/
Wednesday, 2 March 2011
Chamber Show
Playing this show on friday. I'll be doing a baritone duo with David O'Connor (yes, two baritone saxophones). We'll be doing an improvised set inspired by doom metal - low and loud.. Really looking forward to this one!Monday, 28 February 2011
Koi Bombs Album Launched!
The new album by my trio with Mark Holub and Toby McLaren was released at the end of January. We had the launch party at Stoke Newington International Airport. It was a great night, great bands, and a large and receptive crowd!
The trio also played the legendary Boat-Ting (improv club on a boat on the Thames) earlier in the week. The intimate dimensions of the venue really suited us, and the set was very powerful. We hadn't played together for over a month, so things were fresh and firing! We also played a set the following week at Rays Jazz Cafe in central London. The polite coffee shop atmosphere was slightly at-odds with our outlandish improvisations, but after a bit of an apologetic start we got into it.
The album is now available from Gaffer Records http://www.gafferrecords.com/ and at gigs.
Here's a clip of the trio from the album launch:
More clips and sounds from the trio gigs coming soon.
Also in January I played a show as a guest with Loup - the duo of Sheik Anorak and Clement Edouard. We played an intense set at Indo in Whitechapel with Sheik Anorak on drums, Clement on alto and electronics and myself on baritone.. Hopefully some clips from this show coming soon as well.
The trio also played the legendary Boat-Ting (improv club on a boat on the Thames) earlier in the week. The intimate dimensions of the venue really suited us, and the set was very powerful. We hadn't played together for over a month, so things were fresh and firing! We also played a set the following week at Rays Jazz Cafe in central London. The polite coffee shop atmosphere was slightly at-odds with our outlandish improvisations, but after a bit of an apologetic start we got into it.
The album is now available from Gaffer Records http://www.gafferrecords.com/ and at gigs.
Here's a clip of the trio from the album launch:
More clips and sounds from the trio gigs coming soon.
Also in January I played a show as a guest with Loup - the duo of Sheik Anorak and Clement Edouard. We played an intense set at Indo in Whitechapel with Sheik Anorak on drums, Clement on alto and electronics and myself on baritone.. Hopefully some clips from this show coming soon as well.
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