Recent Press

Interview with 'A Jazz Noise':

http://ajazznoise.com/7-questions-for-colin-webster/

Interview with 'Opduvel' (in Dutch):

https://opduvel.com/2017/03/28/colin-webster-rauwe-improvisator-en-lo-fi-labelbaas/

DunningWebsterUnderwood 'Viol Of Acetate' reviewed in The Quietus:

http://thequietus.com/articles/22051-casual-nun-shitmat-kiran-leonard-colin-webster-album-review

Birchall / Cheetham / Webster / Willberg 'Plastic Knuckle' reviewed in The Quietus:

http://thequietus.com/articles/21822-jazz-review-matthew-shipp-the-necks-george-lewis-album

Birchall / Cheetham / Webster / Willberg 'Plastic Knuckle' and Cheetham / Webster / Willberg 'The Small Departs, The Great Approaches' reviewed in Dalston Sound:

https://dalstonsound.wordpress.com/2017/02/16/birchall-cheetham-webster-willberg-plastic-knuckle/

Birchall / Smal / Webster 'Drop Out' reviewed in His Voice (in Czech):

http://www.hisvoice.cz/cz/articles/detail/3337

Viol of Acetate

New split cassette release on the London based Lumen Lake label, 'Viol of Acetate' is a live album by DunningWebsterUnderwood recorded at Cafe Oto last year. The tape is split with Rutger Hauser who also performed on the same evening. The cassette release is a limited edition of 80 with multi-layered translucent artwork by John Harries. 

Line-up: Graham Dunning - turntable and dubplates, Colin Webster - baritone saxophone, Sam Underwood - tuba.

Recent Press

DunningWebsterUnderwood - Bleed
"..a slow, steady exploitation of applied pressure, an improvisation structured on deep breath-blooms like monolithic, dry ice-shrouded Sunn O))) riffs, stretched and slowed." Tim Owen, Dalston Sound

Birchall/Cheetham/Webster/Willberg - Night Streets Of Madness

"Even in the realm of free improvisation, music rarely sounded this brutally physical. Each of these four virtuoso instrumentalists is given the space to produce some of their best individual improvisations and solos to date, but Night Streets Of Madness works best when they play as one single instinctive entity, somehow twisting punishing impulsiveness into densely textured long form (spontaneous) compositions." Tristan Bath, The Quietus

Reviews of 'Bleed', 'Night Streets Of Madness', and Dikeman/Serries/Lisle/Webster - Live at Cafe Oto 

"Webster.. has an instinctive gift for hooking up with sound-makers of all stripes, his questing drive to produce far-out sounds balanced only by the generosity and egalitarianism of his own musical practices. You could say that he plays ‘in the pocket’ – a strange term to use for a horn player, yet it reflects Webster’s ability to lock into a groups’ dynamic, neither dominating it with his contributions nor becoming submerged." Paul Margree, We Need No Swords.

All albums available from http://colinwebster.bandcamp.com

Photo credit: Dawid Laskowski

DunningWebsterUnderwood - Bleed

DunningWebsterUnderwood is a new project adding 'drone-doom' tubaist Sam Underwood to my long-running saxophone and turntable duo with Graham Dunning. Our debut album 'Bleed' was recorded last year in an improvised session at Sam's studio in Worcestershire.

"..a slow, steady exploitation of applied pressure, an improvisation structured on deep breath-blooms like monolithic, dry ice-shrouded Sunn O))) riffs, stretched and slowed." - Tim Owen (Dalston Sound)

The album is available on CD and download from Adaadat Records.

Line-up: Graham Dunning - turntable & effects, Colin Webster - baritone saxophone, Sam Underwood - tuba